Megan Geckler

Using the framework of Peter Eisenman's deconstructionist architecture as the structure for this installation, three nested oculi hover overhead. The three-dimensional form terminated at the walls, creating a two-dimensional representation of the pattern. The color scheme referenced the "supposed death of print" and the CMYK printing process.

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Spread the ashes of the colors, 2010, flagging tape, hardware, wood and paint, 30 x 50 x 60 ft.

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